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Are there any dancers in this tribe who make their own costumes for dance? If so, what do you set out to achieve with the design etc.? Do you make something that suits you, the dance, or the performance occasion (if there is a performance)?
Are practice clothes for dance as important as costumes for performance?
Are practice clothes for dance as important as costumes for performance?
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Re: Costumes and clothes for dance
Mon, August 13, 2007 - 8:08 AMGrreat topic. I make almost all of my stuff and for my troupe. All asindividuals.
And it can be complicated, I can be inspired by fabric, or a color, or a mood, or the music. All of these things inspire me at one time or another. Sometimes an idea comes in a dream and I see how to make it. Sometimes the other dancers in troupe visualize what they want and we collaborate to get done. I'll post a couple I have done here. I also like to push teh envelpe on our Belly Dance costumes, some traditional, some fusion/goth/tribal.
I have special costumes I waer when I dance with my snakes that are safe and comfortable for them to crawl over.
I try to express my iner self with my dance and costuming. even my dark side Muhahaha!
And I do think that what you wear practice in makes a difference, if you feel comfortable and feel the part yo uput more into your practice. I sometimes waer a full costume to teach in to show students what costume possibilities there are. And how differently each costume moves when you dance. -
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Re: Costumes and clothes for dance
Tue, August 28, 2007 - 8:25 PMI want to practice in clothes that help me feel the steps, but that I can still see the movement in the mirror - especially when I am working on a modern dance number. I have found that if I just throw something on, I don't seem to dance as well - I just feel grungy.
I make (or at least remake) nearlly all of my stuff. I just am not an "off the rack" kind of gal. I just have to reaarange and change things around a lot. -
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Re: Costumes and clothes for dance
Wed, August 29, 2007 - 3:42 AMI agree with you both. What you/we wear does make a difference to how you/we practice dance. Therefore, I am wondering, ts this good practice? What is important; how we feel or the choreography? Does good choreography require a certain type of dress code (for want of a better expression)? -
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Re: Costumes and clothes for dance
Sun, September 2, 2007 - 9:13 AMthought it has been a few years since I have really actively choreographed - I also had an idea of the costume in my head as I planned the steps, imagining the look. My first major in college (before I decided I didn't want to be a starving artist!) was costume design, though. What do the rest of you think?
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Re: Costumes and clothes for dance
Mon, October 8, 2007 - 12:41 PMI think the exactitude of choreography, the expertise of the performers & performance, & all the technical aspects are for the people intimate with the art.
Costuming is to draw the public, the viewer into the perceptions & concepts of the choreographer & dancers. Personally I think costuming deserves more respect & attention to finesse then it is usally given. Very few nude performances are done, & only the elite troupes can really afford to expose the tiniest detail to scrutiny.
Costumes fire the imagination of the viewer, they tell 1/2 the story, they help your audience to transcend over into the feelings & desires a dancer (or actor) wants to portray.
As for practice wear it depends upon the point in the choreography's conception & learning, what skills a dancer/troupe needs to work on, how close to performance.... -
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Unsu...
Re: Costumes and clothes for dance
Thu, October 11, 2007 - 11:13 PMWell said, Gi Gi! this is exactly why I attend rehearsals.. to see how the dancers/performers move.. how they interact with each other.. Oftentimes the choreography doesn't completely jive with the vision of the director, and it's then that I work some of my magic to bring the vision to life while assuring that the costume tells part of the story.. sometimes as an auxillary character, and that the performer can move easily to do *their* part and stay safe as well.
As far as practice goes.. if there are aspects of the costume that will affect movement or vision.. say a veil that is used in choreography.. or a mask or headdress or some other part of the costume that will restrict movement.. it's crucial to work with at least the "bones" of the costuming to get the movement down & be able to effectively suspend reality for the audience.
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Re: Costumes and clothes for dance
Thu, September 27, 2007 - 5:24 PMI make almost all of my own stuff.
I make costumes for many reasons. Sometimes I need a costume for a specific purpose. For example, when I danced with Snakes Rising on the White and Red tours, I needed a white and red costume respectively. So those outfits were designed with the show's theme in mind. When my troupe decides on a particular look, I make pieces that are needed to match.
Other times I find a beautiful object that MUST become a costume. Last time I was at Jo-Anns, in the clearance section I spotted a black chiffon with hot pink sequin butterflies... I had to have it ALL... but there wasn't much, so it's going to become a square overskirt with matching sleeves.. That means I'll need a new black skirt, maybe with a matching hot pink ruffle, and a hot pink top, maybe with black lace and sequin appliqués.... Or maybe not.. it depends on what materials come my way...
Another reason is to experiment.. my now-stalled pants project, for example. I wanted to experiment with bell bottom pants. I wore them daily back in the 1970s, so I might as well try them for dance. I started making a pair out of a purple velvet dress, just because it was handy when the urge to sew struck. I made my Ghawazee costume just because I wanted to experiment with that look.
Other times I make things because I have almost all of an outfit, but it's missing *something* ... like an extra skirt, or maybe different sleeves...
Sometimes a particular song will trigger an image or story, and I'll create a costume that helps tell the story.
Or, I just might dive into my stash, see what looks good together, and make or change something. But I usually don't have much time for this option..
It's important to practice in a costume before wearing it in performance. But I don't think it's necessary to dress up for every practice. I enjoy dressing up to practice at home, alone -- but other times I'd rather just throw on a hipscarf and go. Other times in practice it's more important to see the body, to make sure posture, etc. is good. In that case it's better to wear exercise clothes instead of pretty costumes that hide legs, etc.